Quote: "Director Joe Thomas preserves the concert's energy in a setting that is more intimate than the band's usual venues. This presentation vibrates with the electricity of a live performance."

Quote: "In the pantheon of great television comedies, some ensembles stand head and shoulders above the rest. The Mary Tyler Moore Show. M*A*S*H. Cheers. Friends. Add to that list Everybody Loves Raymond, a comedy that elevates family squabbling to the level of high art. It's bust-a-gut funny but with enough sharply observed truths to make you squirm."

Quote: "Cute name, The Escape Clause. Judging by the end product, it's precisely what Tim Allen should have demanded when he signed on for this series. Skip it."

Quote: "Clockwork is sleek, cold filmmaking, but also an undeniably potent and dazzling work of art."

Quote: "Even the weakest of MGM's musicals make fun rainy day viewing."

Quote: "This set is simply breathtaking, not only because of the historical content, but because of the wealth of extras that convey the feeling of what it was like to go to the movies in the 1940s."

Quote: "How could I suck so bad at the batting cages last week? What's with all the hair in my ears? Why am I watching Bratz: Super Babyz all alone on a Sunday afternoon?"

Quote: "Wow, this is a toughie. Do I give Splatter Beach demerits for being tacky schlock, or do I award high marks for the glee the Polonia twins obviously took in creating such tacky schlock?"

Quote: "Dickens's story is as compelling as Mankowitz's rendering of it is literate, but that doesn't hasten the program's pacing, which at times threatens to grind things to a halt."

Quote: "Take it from me, folks: Knocked Up is a knockout."